Tag Archives: 1950s

Journey to the far east…

Well, were should I start….

Back in 2012 I read a beautiful post on 1950ies Sari-dresses on Tuppence Ha’Penny Vintage. Obviously the 1950ies loved the gold-decorated fabrics and mixed them as well as some Sari-style elements with european contemporary fashion.

This put me back even further in time. In the early 2000 my father worked as as service technician, traveling half the world to install and repair the machines his company sold all over the globe. It must have been 2005 when he travelled to Pakistan for a couple of weeks. As you can imagine we children, my brother and I were always very curious to hear from his travels and sometimes he even brought us some gifts. This time he brought me a traditional garment he found at a Pakistani market. I always thought of it as a Sari, but obviously it is a Shalwar kameez with a dupatta: wide trousers, a long top with slitted sides and a matching scarf, I am sure you know this kind of garment, though you didn’t know its name.

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Unfortunately he was neither able to talk to the seller nor able to read the sizes on the wrapping. So when I unwrapped it I found myself face to face with a huge, huge! page of trousers and a not quite as large top (the trousers are meant to be wide and are gathered with a cord when worn, but this was still much too large for me).
Of course I was happy nontheless, thinking I could alter it sometime in the future ( I had just started sewing). So it went into my closet. Here you can see it hanging behind me in 2005, during me moving into a new apartment (therefore the wardrobe still misses its curtains).

18-year old me, deciding which old greeting cards should be discarded
18-year old me, deciding which old greeting cards should be discarded

And there it hung for years. At some point I actually planned to fit it, but then I thought ‘when would I wear it’ and my motivation was gone the same second. At the same time I liked to fact of having three different, but matching fabrics, although we could argue about their beauty (still have to think of 1990ies nightgowns somehow).
Until the above mentioned post. As soon as I saw the dresses made from Sari-fabrics I had to think of my own oriental garment in the wardrobe nearby. But it took me until 2015 to actually realize this plan. Ten years, four moves, tree diploma (the university-entrance one from school and two at two different universities), two countries, this Shalwar kameez has seen a lot of my life.

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I knew I couldn’t turn this into an evening dress as the examples linked above, mine wasn’t silk fabric with gold embroidery, but printed cotton. So I searched for a pattern to make something like an everyday dress. I found it in my 1955/6-Lutterloh-book (see Klara, sooner than I thought!), a blouse with a matching skirt. I enlarged the pattern using my measurements and it fit without any alterrations (!). What I did alter a little was the skirt: I knew I wanted to use the scarf as a ruffle at the bottom. Because it was very wide I cut it in half and gathered it until it fit the width of the skirt pattern at half length (well, actually 2/3), the top part I cut according to the pattern.

For the top part of the skirt as well as for the facings of the blouse, I used the trouser’s fabric, the blouse itself was cut from the top fabric. I made bias binding from the trouser fabric to finish the sleeves and the hem and added a pocket into one of the skirt’s seams (Lutterloh patterns are very basic, they include the major pattern pieces, but things like facings, waistband or pockets have to be added and drafted yourself). The front parts and the collar of the blouse as well as the waistband are enforced with fusible interfacing. I only had three of the white buttons so I went for an assymetric closure instead of the two-row variant shown in the pattern. The skirt closes with a clear plastic button and two press buttons (the pleats hide any opening, so a zipper wasn’t necessary).

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The two parts together are really…special. I don’t think I will ever wear them like this, the colours are a little too wild for my taste, therefore I styled it a little over the top. But I can easily imagine wearing the skirt with a white blouse or maybe even the blouse with high-waist-trousers. At the moment I wear a navy blue cardigan with it, so only the collar is peeking out. Like this and with matching navy shoes it might even work as a standard outfit.

Whilst the fabric pattern isn’t really oriental and the term Sari is wrong, I still think of it as my Sari-dress and it makes sitar-melodies stick in my brain. This and the fact that today’s post will be the last one in march because I will use the two weeks off work to come as two weeks off blogging and will maybe spend some days away from home, it seems fair enough to link to this month’s Krea-Kränzchen, themed “Fernweh”, so wanderlust.
I won’t be posting here for the next two weeks. Because I start a new job next month I don’t think I will be able to hold my twice-a-week-post-frequency, but have to limit it to one post a week from April on, I’m sorry.

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So…wo fange ich an…
2012 las ich einen sehr schönen Post über 50er-Jahre Kleider aus Sari-Stoffen auf Tuppence Ha’Penny Vintage. Offenbar mochte man damals die gold-bestickten Sari-Stoffen und nähte modische Kleider mit exotischen Details daraus.

Das widerum warf mich zeitlich noch weiter zurück. In den 2000er Jahren arbeitete mein Vater als Servicetechniker und kam mit Reparaturen und Inbetriebnahmen in der ganzen Welt herum. Es muss 2005 gewesen sein, als er für wenige Wochen in Pakistan arbeitete. Wie ihr euch vorstellen könnt waren mein Bruder und ich immer neugierig, was er diesmal zu erzählen wusste und manchmal brachte er uns auch etwas mit. Dieses mal bekam ich ein traditionelles Gewand, welches er auf einem pakistanischen Markt gekauft hatte. Lange dachte ich, es sei eine Art “Alltags-Sari”, in Wahrheit nennt sich dieses Gewand aber Salwar Kamiz und besteht aus Salwar, einer Hose, Kamiz, einem langen Oberteil und der Dupatta, einem langen Schal. Auch wenn man den Namen nicht kennt, gesehen habt ihr dieses Gewand höchstwahrscheinlich alle schon einmal.

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Leider konnte sich mein Vater mit dem Verkäufer absolut nicht verständigen und verstand auch die Größenangaben auf der Packung nicht. Als ich mein Geschenk auspackte, sah ich mich daher mit einer wahrhaft gigantisch großen Hose konfrontiert sowie einem geringfügig weniger großen Oberteil (die Hosen sind weit geschnitten und werden zusammengebunden, aber es war trotzdem viel zu gross).
Natürlich freute ich mich trotzdem und war zuversichtlich, das ganze irgendwann mal auf meinen Körper anzupassen. Daher wanderte es erst einmal in meinen Schrank. Oben seht ihr ein Foto das während eines Umzugs 2005 gemacht wurde, hinter mir im Schrank seht ihr es hängen.

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Ja, und da hang es erstmal. Zwischendurch nahm ich mir dann wirklich vor es zu ändern. Dann überlegte ich, wann ich so etwas tragen würde und meine Motivation sank zugleich wieder. Gleichzeitig gefiel mir der Gedanke, drei zusammenpassende Stoffe zu haben, auch wenn man sich darüber streiten, ob sie so schön sind (ich muss bei der Farbkombination die ganze Zeit an 90er Jahre Nachthemden denken).
Bis ich dann den oben verlinkten Post las. Bei den Sari-Kleidern musste ich sofort an das lila Mitbringsel denken, das da neben mir im Schrank schlummerte. Aber es brauchte doch bis dieses Jahr, bis ich das Projekt endlich in Angriff nahm. 10 Jahre, vier Umzüge, drei Abschlüsse (Schule und an zwei verschiedenen Universitäten), zwei Länder, dieser Salwar Kamiz hat sehr viel von meinem Leben gesehen.

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Mir war klar, dass ich kein Abendkleid aus diesen Stoffen nähen könnte, es ist keine gold-bestickte Seide, sondern bedruckte Baumwolle. Daher schwebte mir eher sowas wie ein Tageskleid vor. Fündig wurde ich in meiner Lutterloh-Ausgabe von 1955/6, eine Bluse mit dazu passendem Rock. Den Schnitt habe ich mit meinen Maßen vergrössert und komplett ohne Änderungen genäht. Einzig den Rock habe ich an die Dupatta angepasst: Ich wusste, dass der Schal als Saumrüsche Verwendung finden sollte, also schnitt ich ihn in der Mitte durch. Danach war er immer noch so breit wie ca. 2/3 der Rocklänge. Ich rüschte ihn auf die laut Schnittmuster erforderliche Weite und ergänzte den oberen Teil mit dem Stoff der Hose. Aus demselben Stoff schnitt ich die Belege der Bluse sowie Schrägband für die Ärmel und den Blusensaum. Die Bluse selber schnitt ich aus dem Kamiz.

Lutterloh-Schnitte geben nur die absolut notwendigen Schnittteile an, Belege, Bünde und ähnliches muss man sich dazu basteln. Daher fügte ich auch direkt noch eine Tasche in eine der Rocknähte ein. Der Rock schliesst am Bund mit einem durchsichtigen Knopf und darunter mit zwei Druckknöpfen, durch die ganzen Falten reicht das vollkommen. Bund, Kragen und Belege sind mit Vlieseline verstärkt. Da ich von den großen weißen Knöpfen nur drei hatte entschied ich mich für diese assymetrische Lösung, abweichend von der Zeichnung.

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Nun, zusammen getragen ist es wirklich sehr…speziell. Die Farben sind mir auch einfach zu viel. Daher konnte ich nicht anders, als es für die Fotos absolut over-the-top zu stylen. Mit einer weißen Bluse stelle ich mir den Rock aber tatsächlich sehr schön vor, oder auch die Bluse mit einer Hose. Grad trag ich eine dunkelblaue Strickjacke drüber, so schaut nur der Kragen raus. Zusammen mit dunklen Schuhen könnte das sogar alltagstauglich sein.

Obwohl der Stoff nichts orientalisches hat und die Bezeichnung Sari falsch ist, in meinem Kopf bleibt das mein Sari-Kleid und ich muss die ganze Zeit an Sitar-Musik denken. Das und dass dies  mein letzter Post ist, bevor ich mir zeitgleich zu zwei arbeitsfreien Wochen auch zwei Blog-freie Wochen gönne (und vielleicht sogar ein paar Tage wegfahre), machen dieses Projekt einen schönen Beitrag zum diesmonatigen Krea-Kränzchen mit dem Thema “Fernweh”.
In den nächsten zwei Wochen wird es hier also sehr ruhig sein. Da ich ab April zusätzlich einen neuen Job habe, werde ich den 2x-die-Woche-Rhythmus wohl nicht beibehalten können, nach der Pause geht es dann wohl mit nur einem Post pro Woche weiter, sorry.

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blouse and skirt: ette with Lutterloh-patterns – hair veil: flea market – flower brooch: nos, gift from mum – belt: from my family – gloves: antique shop – shoes: Siemes Schuh Center – fragrance: Stella McCartney-Sheers

 See you in april, love

ette

Principles and how to overcome them

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I don’t like altering clothes. I like to sew new ones and I have no problems with fixing a lost button or a broken zipper. But I don’t anymore buy things to remodel them. I used to do but somehow it never turned out how I wanted it and was always a lot more work than expected.

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Additionally, I don’t like to alter old clothes. I mean, these things have survived 40 or 60 years without manipulation and I know how valuable unaltered things from previous centuries are for costume historians because they are so rare. A large shop in Berne selling Vintage and modern clothes alters vintage dresses on a grand scale, because most clients want their skirts to end above the knee and not at mid-calf length. The vast majority of these altered dresses dates from the 80ies, but every now and then you see something older amongst them, too. This altering makes the dresses uninteresting for me (because I like my dresses to end below the knees), but it also means less and less dresses in their original state. Because of this I do not buy these altered dresses and I only buy dresses that fit me. Even if a little shortening or two centimetres less circumference would make them look perfect, usually I don’t buy them and hope they’ll find a more fitting client, in the truest sense of the word.

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But this spring another user of my favourite sewing board sold a beautiful late50ies/early 60ies wool shirt dress I wasn’t able to resist, despite it being too large and I threw all my priciples overboard. Because the sleeves and the bodice were made from one piece of fabric that made fitting issues at the shoulders nonexistant, this seemed to be a pretty easy one to be altered to fit me.
And so I did. All I had to do was remove the skirt, shift the side seams to fit my size and re-attach the skirt. Because the wool was so easy to gather I didn’t even have to remodel the pleats.
It was obvious that the skirt had been altered before, there were multiple seams in different threads at the waist. So I wasn’t the first to manipulate it and I was, I admit, a little relieved not to have destroyed something completely untouched (because of the thick fabric and the curved seam underneath the arms I had to cut away the fabric, too. I know, something you never ever should do, shame on me).
Because one button was missing I had to remove the one at the bottom and sewed the buttonhole close so it would be less obvious. Grace to this fine striped pattern it works quite well. I added a small hook and eye to  the waistband because the dress tended to gape, as there wasn’t a button to hold this narrowest part of the dress.

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I thought this quite weird and it took an accident to solve this mystery. A few months later the same woman sent me a whole set of hemming feet for my 1932 Pfaff. Before she sent the parcel she asked me if I would be interested in a belt to match the dress, she had found it and hadn’t even known a belt existed. Yes, of course I was! And obviously, with a belt you have far less concerns with a gaping waist 🙂

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It has been finished and in my wardrobe quite some time now and I love it. The hem looks a little pointy in the centre front, I think I will add a little press fastener to keep it in place.
The fabric is, as you can imagine, quite scratchy, fortunately I own a shirt with the exact same sleeve length to wear underneath.

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Dear Ravna, thank you so very much for selling me something that has already become one of my favourite dresses!

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dress: Vintage/altered by me – tights: Fogal – Shoes: wonders – handbag: made by Goldkind – scarf: belonged to my grandaunt – gloves: Vintage/Fizzen – brooch: Antique/Flea market – fragrance: Nina Ricci-L’air du temps

See you soon, love

ette

PS: Forgive me to have skipped this sunday’s Christmas dress post. My weekend was equally parted in work, meeting friends from my favourite online sewing board and being sick. Needless to say the latter third was the time I had planned to use for sewing instead of sleeping and whimpering. I am trying to catch up but the pattern needs more adjustments than expected which makes me progress slower than expected. At least the plaid isn’t the problem 😉

Me-Made-Mittwoch or: What I wore today

Usually there are two things that make it impossible for me to participate in the Me-Made-Mittwoch (= me made Wednesday, like me made may, but once a week): first,I forget it and only remember it took place when I read my blog feed the following morning. Second, even if I remember it I am not content with my outfit or do not wear anything selfmade that day.
Miraculously today was a day were both premises met, so welcome to the first pure outfit post in months!

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Some readers may recognize the skirt, my version of a 1955/6-Lutterloh-Pattern.

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The shirt was sewn after a Burda-Pattern (issue 2/2010) and I already made it in july 2012. There were a few holes in the sleeves’ seams I fixed a few days ago, so this feels nearly like a new garment. 🙂

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Yes, I was in a really good mood, although I had just come home from work. And no, I didn’t wear these shoes for work, but they look so much better than the burgundy loafers I wore during the day.

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shirt: ette/Burda – skirt: ette/Lutterloh – tights: Fogal, high heels: 2nd hand (Secondo Berne)/Christian Louboutin, 40s watch: flea market, ring: heirloom from my grandaunt

I wish you a nice evening, love

ette

Basic in black

One of my most worn wardrobe basics is my black half-circle-skirt. I made it in july 2012, inspired by a post on Casey’s Elegant musings.
From its beginning it had a few flaws, the worst one a lack of fusible interfacing in the waistband (simply because I didn’t find it and was too eager to sew to search it).
As for so many projects, I used the black fabric I originally had bought for my prom dress, with the wrong side out, because of that terribly shiny surface on the right side; you have seen it in my victorian sewing supplies box I showed you in january.
Now, having worn the skirt everytime as soon as it re-entered my wardrobe after washing, it began to show signs of use, the fabric turned grey and to make things worse I managed to iron it too hot, leaving a shiny mark next to the back seam.
I desperately had to sew to a successor!

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After consulting my patterns and sewing books and having considered what would be suitable for every day wear, I went for a 1955/56 Lutterloh-Pattern.

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I used the same fabric (but it was the rest, there nothing left of it, finally!) as for the old skirt, again with the wrong side out. For the back of the pocket and the waistband I used the right side, I don’t know if it is really visible in the photos (I have to excuse myself for the photos anyway, the camera settings were complete rubbish and I only noticed shortly before publishing this post, but I didn’t want to wait until I would be able to take new ones).

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the bright dot is the zipper’s slider.

When looking closely at the shadow the pockets casts in the drawing, you could see that the two parts of the skirt should both form the pocket, creating a really large pocket.

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I decided against this, because I know me. Though I love pockets, I would have my hands in them all the time and I would carry around half my handbag in them. Instead I sewed the pocket’s rear piece, cut in one piece with the back of the skirt, directly onto the back of the pocket. The edge on the front part was finished with a wide facing and this facing I connected to the back of the pocket. This left me with a different pocket opening, the rear part lying flat and it left me with a very shallow pocket of maybe 5cm, enough to store some coins for the coffee-break, but not enough to hide my whole purse.

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The pattern didn’t include a waistband. So after I had sewn the rest of the skirt, all I had to do was to cut a strip of fabric as long as I wished (it could have been longer, though), enforce it with fusible interfacing (yes, this time I knew where it was!) and a strip of stiff upholstery fabric (because it is really wide and really tight-fitting, I shouldn’t eat too much wearing it).

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Because old Lutterloh-Patterns are not really made for cut-and-go-sewing I started this skirt working very fast and without any serging at all. After I saw that this skirt was really going to be a success, I finished all seams by hand with a red satin binding.

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The zipper is hand-inserted, too. The waistband closes with a skirt clasp and two small press fasteners.

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blouse: collectif, skirt: Lutterloh/by me, petticoat: Blutsgeschwister, shoes: Ochsner

 

So much for today, see you soon, love,

ette

Nearly forgotten – Fall for Cotton

Yeah, it rhymes 🙂

Maybe some of you remember. Last autumn Rochelle and Tasha hosted a Fall-for-Cotton-Sew Along. It is already march now, but maybe some of you still remember.
In fact, I managed to finish the dress in time (deadline was september 30th), maybe you saw my final result in the Flickr-group or Rochelle’s final slideshow.
But though I finished the dress, what I didn’t finish was the matching bolero. Days before the deadline I headed to a conference meeting in Lyon, flying from France directly to London for a job interview, came back to Bern after one week only to work the next day, on whose’s evening my dad arrived to help us with moving from our old flat to the one we have been living in for a couple of months now.
As you can imagine, I didn’t have much time to sew at all and with the temperature dropping my motivation to finish a summer’s dress wasn’t as high as it should have been.

But the bolero didn’t need that much work anymore and so one afternoon in winter I was destined to finally finish it, only to realize that I had no idea where I had put the last piece to be attached to the bolero’s hem. It took me some more weeks to find it and so I finally made it without any further catastrophes.
That all happened back in january and now, only a very short time afterwards (cough, attention, sarcasm) I managed to photograph the result.

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laughing or dazzled?

I already showed you the fabrics I used, a comparably stiff purple cotton and an old duvet cover printed with purple and brown roses. To line the bodice I used a white cotton batiste.

It ws one of the rare occasions where I worked with a pattern that had the seam allowances included, but it worked surprisingly well. I changed literally nothing (partly because I rarely do and often realize too late, what should have been changed, but mostly because I have difficulties to imagine the outcome of cutparts with the seam allowance included. I know, many draw the actual seam line themselves, but that means to double the work at my most loathed step in sewing, transfering the pattern to the fabric, no option for me 😉 ).

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the neckholder closes with two white fabric-covered buttons

I have to admit, the fit is not as perfect as could be and I have to pay attention which bra I wear, because the bodice is a little too large around the bust, but nothing that can’t be fixed with a good push-up. 😀

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The skirt consists of four parts that add up to a wide, but not a full circle skirt.
First I planned to shorten it considerably to end just below the knees, but then I loved the idea of having a real tea-length-dress. And knowing I will only wear it with heels, I don’t need to fear to look too short. In the photos I am wearing a small petticoat underneath.

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un-elegant attempt to show you the width of the hem

The belt is not attached to the dress. I don’t like the untidy look of it and though I do like the idea of avoiding a too cute bow, to me it looks as if I ran out of fabric. Maybe I will arrange the knot and sew it close, adding a press fastener or hooks and eyes closing to the back (more likely: I will leave it like this and will complain about it as long as I own the dress).

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where is my belly button? I know I saw it right here…

Now I only have to wait until next summer, but with the temperature rising outside I am positive that it won’t be too long. Today it was at least not too cold to wear it, though I was happy to stand in the sun.

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Maybe I am a vampire at last, cursing sun already at the first spring day…

But honestly it was much too bright. I had the choice between standing in the shadow or being blinded by sunlight. All the photos needed massive photoshopping because on most of them the skirt seemed almost white. And you can clearly see that it was too bright, looking at my >.<-face.

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(dress and bolero: ette/Simplicity 7218, necklace: gift, petticoat: Blutsgeschwister, white shoes: Siemes-Schuh-Center, purple shoes: Diesel, fragrance: 4711 Eau de Cologne Lavender & Thyme)

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PS: Needless to say I was unable to decide what shoes to wear and therefore chose both 😉

see you soon,

love, ette

What I wore…on Halloween or: How to fold a nurse’s cap

Normally official holidays aren’t something you are really aware of. When living in my hometown there were always those holidays who were only marked in the calender and the federal ones who meant a day off school. In this part of Germany, the 1st of November is a federal holiday, so of course Halloween was celebrated every single year since the 5th grade.

Meanwhile I have moved to another country and to a protestant part of it. That means the 1st of november is a working day as every other day (except for the fact that all the people from catholic regions of Switzerland go shopping in Berne, so it is very crowded).
For that reason a dear friend of mine had to plan her Halloween Party on Saturday, so please forgive that slightly belated costume post.

As you can imagine, the last weeks weren’t the perfect time to prepare a perfect costume out of nothing, so I went for something already proved and tested.

My grandmother, born in 1933, became a nurse after she had finished school. I don’t know exactly when she started her apprenticeship, but it must have been somewhen around 1950. What I can say fore sure is that she quit her job in 1965 when my father was born and she has been a stay-at-home-mum ever since, being at the age of 80 today.
This is my grandma in 1953:

A few years ago she told me, that she still had her nurse’s uniforms in the basement. I was very exited and asked her to show it to me. In an old wardrobe she kept multiple of her dresses, aprons and other stuff. I was so very happy (also because my family isn’t very rich or aware of tradition and has only very few family heirlooms and souvenirs) and she asked if I wanted to have one of them. She gave me a dress, an apron, a cap, a surgical gown and even a matching brooch (well yes, the enamel is broken, I think she kept the intact one).

The cap was a bit of a challenge, because she didn’t remember how it had to be folded. Looking at some photos at the internet and with a lot of trial-and-error experience I figured out something that could be at least a possibility of how it was worn, though I am still not sure if this is the right way.

So, if you ever come across something that looks like a gigantic single layer slip, it is a nurse’s cap. It is starched very heavily, I didn’t dare to wash it until today because I am sure I will never be able to starch it as the hospital’s laundry did.

The first thing you’ll need is something called nurse’s pins. I didn’t even know that they existed (having had always assumed that those caps had been pinned with standard pins) until a client of the haberdashery shop I used to work in asked for them (of course, we didn’t have them). But when I found a little box of white-headed pins in a sewing basket I bought on a flea market, I knew immediately what I had found. They are a little longer and stronger as standard pins and, as already meantioned, come only in white.

First thing to do is fold the double-layered part of the cap back.

Pin the ends together to form a circle.

Pin the flap over the ends as shown. You can change the size by reducing or enlarging the overlap of the two ends and of the flap.

And voilà, your cap!

And here is the complete costume:

Somebody at the party asked me if it was on purpose that I wore my apron inside out. But I didn’t. It has one pocket for the right hand on each side, so if it get’s dirty you can turn it around. For someone standing left from me it looks as if my pocket was on the wrong side of the apron.

Me trying to make an ugly halloween-y face. And on the inside you can see a 50 year old (blood?) stain the laundry didn’t manage to eliminate.

I was accompanied by my boyfriend, wearing some giant plastic screws on his head as a costume (he hates costumes, that was all I managed to convince him of) and lots of homemade cookies (these are only the few we kept for ourselves):

I hope you had a nice weekend and a happy Halloween,

see you soon, love,

ette

Fall for Cotton – Sew-Along

Puh, you know, I wanted to concentrate on my final exams taking place next week, I wanted to finish my 40ies coat to finally wear it this autumn, I wanted to prepare our household to move soon, I wanted to finish my Chiné-dress, I wanted to write a little more about different periods than mid-20th-century again….yes, I wanted, but did’t.

Why? Because one of my favourite bloggers is hosting a Sew-Along. Tasha and Rochelle have just opened a Cotton-Vintage-Sew-Along. You can pick whatever fabric you like, as long as it is 100% cotton and sew a garment, as long as it is related to 1920ies to 70ies fashion. All participants share their progress in a Flickr-Group and show they finished projects in the end.

It was purely coincidental that I had already cut out a Reprint of a 1950ies Simplicity Pattern, consisting of a dress and a bolero. Unfortunately I don’t have the pattern envelope, but I found another blogger who made this dress and photographed it.

First I wanted to go for a green cotton fabric with white polka dots and plain white cotton for the accents. But I had to learn that I had not enough fabric, so I searched my storage and ended up with this two candidates:
A very heavy purple cotton and a vintage duvet cover, printed in purple and brown. The dress and the bands on the Jacket will be made from the patterned fabric, the bolero, the belt and the straps of the dress will be made from the purple fabric. I just hope it will work, the purple one is very stiff, I hope not too stiff to turn it into the bolero.

As often, I won’t make a work in progress out of it. I will upload some photos into the Flickr-group if you want to keep up with my progress. But of course, I will show the finished garment here as well.

Anybody who likes to join, too?

See you soon, love,

ette

What I wore…Strawberry Picking

I’m sorry for the lack of posts these days.

It is so darn hot at the moment, I do not feel any urge to go outside. I am a spring and autumn lover, I hate hot weather, burning sun or getting a tan,  I don’t even like to swim. But I am not in the mood of working at the sewing machine or the computer, either. Don’t ask me what I do the whole day, it is more existing than living.

I am especially sorry, because I do have some finished projects to show you, I just have to manage to take some photos of them to present them here.

In the meantime I will leave you with some photos my boyfriend made a few weeks ago, while we were picking strawberries. I wore my table-cloth-skirt and some new acquisitions I made at the Blutsgeschwister-Outlet in Weil am Rhein.

(shirt and petticoat: Blutsgeschwister, skirt: ette, shoes: Dosenbach (Deichmann), handbag: flea market, silk scarf and belt: second hand shop, fragrance: Nina Ricci – L’air du temps)

And because my boyfriend loved the first photo so much, he toyed around with it a little:

See you soon, love

ette